Theatre

Gwen Orel calls it: "Woody Sez" is one of the best shows of the year. Extended through Sept. 10 at Irish Rep.

"'Woody Sez' extended through Sept. 10!Gwen Orel talks to Bernadette Gavin, of Gavin's Irish Country Inn, to Kevin McCarthy of Shilelagh Law, and to David...

Shani R. Friedman reports on "Immigrant Arts in America," a day-long panel presented at the Museum of Jewish Heritage.

Gwen Orel talks to Jimmy Kelly, co-author of "Find Your Way Home," and to Nick Hamm, director of "The Journey."

Playwright T. Cat Ford visited Enda Walsh's "Rooms" at Irish Arts Center, and found the concept captivating, the execution less so.

Jonathan Levin in 'A Hunger Artist' may be the best solo performance of the year.

Gwen Orel talks with Obi Abili and Ciarán O'Reilly of Irish Rep's "The Emperor Jones," and Larry Kirwan, author of Irish Rep's "Rebel in the Soul."

Gwen Orel says "Arlington" repeats on her, like acid reflux. That's probably what Enda Walsh had in mind.

On a dreary New York afternoon this Saturday I took a diversion for an hour into the "Rooms" of playwright Enda Walsh.

Gwen Orel talks to Wils Wilson about the brilliant piece by David Grieg, "The Strange Undoing of Prudencia Hart." Alice Farrell talks to actor Peter Halpin...

"The Emperor Jones" has a genre-- and it's horror. The play is a nightmare, produced like a dream.

'The Penitent,' David Mamet's latest play, is better than 'China Doll.' That's a low bar.

"If I Forget" presents a family drama with aspirations to questions of identity.

"The Present" intrigues but is ultimately a let-down: lots of wrapping.