Theatre

"The Hunger" is a haunting, unsettling look at the Irish famine, with the powerful vocals of Katherine Manley and Iarla O Lionaird, and the music of Alarm Will...

Mike Fitzpatrick reviews Conal Creedon's "The Cure," and finds Mellamphy's portrayal of John Murphy, a washed-up, broken-down and burnt-out survivor of Cork's...

9/11 and Political Theatre

Gwen Orel's 2007 essay on 9/11 and political theatre: "Telling the full truth will always be a political act."

Gwen Orel talks to Ciarán Hinds about his role in 'The Crucible,' including the dog onstage.

Gwen Orel talks to Lisa Dwan about her role in Conor McPherson's "Shining City" at Irish Repertory Theatre Featured tune is "The Constellation Slide Set" from...

John Cooper, creator of the documentary archive Oscar Wilde In America, previews the revival of The Judas Kiss at the Brooklyn Academy of Music (BAM), a play...

Aedin Moloney shines in a first-rate production of Sharman MacDonald's thoughtful play 'When I Was a Girl I Used to Scream and Shout.'

This past Friday I was honored to be among those treated to the best the Irish Arts Center has to offer. The overriding sentiment of the night was that when...

Gwen Orel talks to Gavin Quinn about Pan Pan Theatre and 'The Seagull and Other Birds.' Featured song is Eileen Ivers' 'Walk On,' from 'Beyond the Bog Road.'

Gwen Orel find John Patrick Shanley's play 'The Prodigal Son' an inspired, memorable, look at memory and inspiration.

Cultural appropriation is not OK, Stephen Karam. Gwen Orel reviews 'The Humans.'

Gwen Orel would give 'The Last Hotel' a bomb on TripAdvisor, but a rave as a piece of theater

A rave from Alice Farrell about Declan O'Rourke's "From Neuve Chappelle to New York" World War I show at Irish Arts Center.

Gwen Orel talks to Conor Lovett about Gare St. Lazare's "Waiting for Godot," and Alice Farrell talks to Mike Farragher about "A Devilish Pint." Tune from Iona...